
During my last trip to Hanamaki I went with my father-in-law to a welcome home party for a local toji, or sake master. Itagaki-san (板垣 博司) is a farmer in Iwate during the warm months and spends his winters in Gifu prefecture as the toji of Hourai, an internationally acclaimed (award-winning) sake. This party is something that happens every year at the end of April, and this was the third time I’d attended. Six different types of nihonshu were passed around, all daiginjo this year. (Daiginjo is a highly refined type where at least 50% of the rice has been milled away before being used.) The etiquette at the sake party (nomikai) is such that every time someone greets you they bring a pitcher of sake to pour you a glass. Of course you can’t mix two different types, so you have to quickly finish what you were drinking to receive more. Repeat this about 30 times as you are greeted by various people and you’ve got a room full of very drunk men. To my credit I managed to maintain my ability to taste properly and despite the room’s refusal to hold still I was able to correctly identify what I was drinking the whole night.
This fueled my budding interest in sake and during the two weeks I spent up north my father-in-law and I drank what could arguably be called “too much” sake. (We sort of had an enabling effect on each other - when we get together we both drink far more than we otherwise would.)
Back in Tokyo, at my wife’s suggestion, I’ve started a sake journal of sorts. I guess it’s standard practice for sake lovers to take the sake label off a bottle after finishing it, and to paste it into one’s sake journal. I’ve just started doing this, and it is a great deal of fun.
I’ve got three bottles of nihonshu in the fridge at the moment. (Yes, my wife gives me hell about hogging too much space in there.)
1. Marushin Masamune (Ginjo Karakuchi - Akabane, Tokyo)
Not terribly impressive. I bought it because it’s local. The kura is bicycling distance from where I live. For being called “karakuchi” it tastes somewhat sweet to me, almost tart. Aftertaste lingers a bit. Not bad, not great. (After buying it I heard that there is no toji, or sake master, that makes it. The process is mostly computerized…)
2. Nenohimatsu (Junmai Ginjo - Aichi)
I like this better than the above. It’s classified umakuchi. Goes down smoothly without much initial heat. Aromatic. I like it, but not enthusiastically.
3. Hourai - Kuramoto no Kakushizake (Gifu) - pictured above
This is the only one that is a 1.8l isshobin. (The two above are 720ml bottles.) I am really loving this limited edition Hourai. It has a full body on the initial taste, but it vanishes quickly from your palate, leaving no aftertaste. It’s dry, but not so clear like Niigata sakes (Hakkaizan, Koshi no Kanbai, etc.). Having this around the house is what makes me feel like an alcoholic. I can’t seem to pass a night without having at least one glass. It goes well with fried fish, but is splendid on its own. The more I drink, the more I love it. They made 3000 bottles (all 1.8l) of this Kuramoto no Kakushizake, and I may try to buy one more before they all sell out.
Here is a link if you’re interested:
http://www.sake-hourai.co.jp/sake_toku02.html
You can buy all of these on Rakuten, which is where I get my nihonshu when I’m in Tokyo.